Modern Jazz

Everything's Beautiful

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EVERYTHING'S BEAUTIFUL, reimagined interpretations of Miles Davis' music produced by Grammy Award winner Robert Glasper (who also served as coproducer of the MILES AHEAD soundtrack) with musical guest artists including Bilal, Illa J, Erykah Badu, Phonte, Hiatus Kaiyote, Laura Mvula, KING, Georgia Ann Muldrow, John Scofield and Ledisi, and Stevie Wonder. A visionary exploration of the music of Miles Davis, EVERYTHING'S BEAUTIFUL incorporates Davis' original recordings into new collaborative soundscapes and will be available Friday, May 27 (the day after Miles' 90th birthday). The Miles Davis track featuring Bilal ''Ghetto Walkin'', from the upcoming release EVERYTHING'S BEAUTIFUL, premieres today for the first time during Zane Lowe's Beats 1 show on Apple Music.EVERYTHING'S BEAUTIFUL is beautifully crafted collection produced by Robert Glasper, blending a diverse group of master takes and outtakes from across the incomparable Miles Davis Columbia catalog with an impressive lineup of contemporary artists and musicians to create original interpretations.''I didn't want to do just a remix record,'' Glasper noted when discussing the 11-song set. ''My idea was to show how Miles inspired people to make new art.'' Realizing that ''Miles didn't have one audience,'' Glasper recruited a legion of diverse guest artists to add to the magic of the project including familiar collaborators like R&B musicians Erykah Badu, Ledisi, Bilal and KING. They are joined by British soul singer-songwriter Laura Mvula, hip-hop producer Rashad Smith, Grammy-nominated Australian neo-soul quartet Hiatus Kaiyote, rapper/singer Phonte, rapper/producer Illa J, jazz guitarist John Scofield, who was in Miles Davis' band, and the legendary Stevie Wonder.''I am living in the spirit of Miles when I am doing what I'm doing because I am documenting my time period. I'm documenting what's around me. I'm documenting who I am now, where music is now,'' notes Glasper. ''That's what this project is about. I wanted to do something where we can take some of Miles' ideas, shake them up, and try to show the influence of Miles and make new things. And that's the beauty of this whole album. The whole project is based on Miles, but it is based on Miles' vision, it's based on Miles' trumpet, it's based on Miles' voice, it's based on Miles' composition, it's based on Miles' influence, it's based on Miles' swag'' Miles Davis is a rarity: a pioneering superstar who was constantly voyaging into new directions and genres with an ever changing cast of collaborators. Throughout his discography, sweeping change and innovation could happen based on who was in the studio and what they brought to his stunning musical vision. Few American artists have impacted popular music and culture in as broad and long-lasting a way as he did.By similar design, pianist/producer Robert Glasper has built a career out of a vibrant fusion of R&B, jazz and hip-hop. As the leader of the acoustic Robert Glasper Trio and the electronic Robert Glasper Experiment, he's pushed the boundaries of each genre he works in to their breaking point. This is the artist whose album, In My Element (2007), featured mashups of Herbie Hancock and Radiohead and tributes to rapper/producer J Dilla. 2013's acclaimed Black Radio featured collaborations with Erykah Badu, Ledisi, Lupe Fiasco, Yasiin Bey and other artists. Black Radio was also capped by a sprawling cover of Nirvana's ''Smells Like Teen Spirit'' and won a Grammy Award for Best R&B Album. Most recently, Glasper scored for MILES AHEAD, the Miles Davis film directed by and starring Don Cheadle.EVERYTHING'S BEAUTIFUL is unlike any other in Davis' discography. From the familiar (riffs and passages within the catalog) to the obscure (samples of Miles' in-studio instructions spoken after false starts), Glasper has built something unique but still unquestionably Miles. The cover art was created by Francine Turk and integrates elements of Miles Davis' artwork. With the cover, Turk creates a visual that is similar to the idea of Robert Glasper taking fragments of Miles music and reinterpreting in a unique and modern way.Single LP, black standard weight vinyl, single-pocket jacket, no inserts

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888751 57821

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Tracklist: 

Side 1
1. Talking Shit
2. Ghetto Walkin' (feat Bilal)
3. They Can't Hold Me Down (feat Illa J)
4. Maiysha (So Long) (feat Erykah Badu)
5. Violets (feat Phonte)
6. Little Church (feat Hiatus Kaiyote)
Side 2
1. Silence Is The Way (feat Laura Mvula)
2. Song For Selim (feat King)
3. Milestones (feat Georgia Anne Muldrow)
4. I'm Leaving You" (feat John Scofield & Ledisi)
5. Right On Brotha (feat Stevie Wonder)

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Metamorphis

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TF 001

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23.00
Tracklist: 

Side 1
1. Black Caterpillar
2. Silver Screen
3. Dawn & Darkness
4. Thinking Back
5. Spiral
Side 2
1. Bossa Blue
2. Inner Flame
3. Stars Tumble Down
4. What's Right & Left
5. White Butterfly

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Les La Bas (Bonobo remix) (Record Store Day 2016)

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ZEN 12432

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Tracklist: 

Side 1
1. Les La-Bas (Bonobo remix)
Side 2
1. Les La-Bas

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Flutes, Echoes, It's All Happening!

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Influential & prolific Los Angeles artist, DJ, producer, composer, and poet Carlos Niño crafts his Space Collage Hybrid Music master opus. Flutes, Echoes, It’s all happening! is the fourth in a series of highly collaborative records by Carlos Niño & Friends. Featuring: Iasos, Luis Pérez Ixoneztli, Madlib, Miguel Atwood- Ferguson, Kamasi Washington, Dexter Story, and more! Comes with a tip-on jacket and a printed insert!

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LR 081

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Tracklist: 

Side 1
1. Jupiter Sings (feat Iasos)
2. Metamaravilla (feat Luis Perez Ixoneztli & Christopher Garcia)
3. It's All Happening! (feat Madlib, Jamire Williams & Dexter Story)
4. Calimayan (feat Nate Morgan & Yaakov Levy)
Side 2
1. Alice's Chord (feat Yaakov Levy and Dexter Story - live)
2. Joyous Gratitude (feat The Cosmic Band & Kamasi Washington - live)
3. Delightfulllll/Waterfall (feat Iasos)
4. 4 Directions Collage (with Miguel Atwood-Ferguson Strings)
5. Aetheriaztlan (feat Turn On The Sunlight & Aztlan Unearthed)

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Lost Myself

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Hot Casa Records presents this new project, a collaboration between Soul-Jazz singer Shola Adisa-Farrar and Jazz pianist-keyboardist Florian Pelissier.Raised on opposite sides of the Atlantic, these two artists have combined their talents to compose Lost Myself. This musical voyage blends New-York’s hard-bop aesthetics and reggae-inspired elements, with modern jazz, for a fresh spin on classics and original compositions. Vocalist Shola Adisa-Farrar, a native of Oakland, was born into a family of artists and intellectuals. Shola began singing at the age of eight, influenced by her Jamaican upbringing and the soul and jazz classics that played in her home. At a young age, Shola garnered attention for her distinct raspy voice, which enabled her to perform a variety of musical styles. After living in New-York for 8 years, where she earned a Bachelor’s degree in Music, she is now a true resident in Paris. Shola spends her time travelling to perform and develop her musical style. This album is her explorations into Jazz.Florian Pellissier, Parisian pianist and composer, is known for the authenticity and hard-bop style he brings to his music. A graduate of The New School for Jazz and Contemporary Music, Florian has spearheaded his own quintet along with the release of two successful albums: Le diable et son train (2012), and Biches Bleues (2014). Florian has also contributed his musical talent to jazz and funk projects such as Setenta, Camarao Orkestra, Chevere Que Son, Cotonete and GUTS.During Shola’s year-long residence as a performer for Le Reservoir’s Sunday Jazz brunch, Hot Casa Records’ honchos introduced Shola to Florian, sensing they would musically complement each other. In July 2013, their collaboration began, bonding over their love of jazz autobiographies, swapping music, and improvising together. The result is eight spiritually-tinged jazz tracks recorded live on analog equipment to maintain the traditional quality, from sultry introspections to rhythmic compositions, grounded in intense emotion. Included are jazz classics such as “Feeling Good” and “I Have a Dream”, a tribute to the music of Herbie Hancock, who has influenced Florian since his formative years in New York, to which Shola penned lyrics.

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HC 39

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Tracklist: 

Side 1
1. Evolution
2. I Have a dream
3. Feeling Good
4. Flow
Side 2
1. Sorrow Tears & Blood
2. What A night
3. Going Nowhere
4. Spirit

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Neckbone EP

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This Ep announces the release of the 5th album Anthony Joseph. These extracts are highly anticipated by his fans but also for music lovers Jazz / Funk. In this new track, Anthony Joseph chose to work alongside Sly Johnson and his talent to bring a piece in another dimension.On the devastating “Neckbone”, we found poetry of Anthony chanted in pure Caribbean style, not far from that of one of its models Linton Kwesi Johnson. For the chorus, from this Caribbean accent you could cut with a knife, hides Sly Johnson.A track made for the dancefloor with a big catchy bassline.On the B side, we find the percussive "Mano A Mano", poetry on a percussion avalanche in the purest style of the Last Poets.

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HS 140VL

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8.00
Tracklist: 

Side 1
1. Neckbone (feat Sly Johnson)
Side 2
1. Mano A Mano

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III

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Back in Stock!!!BADBADNOTGOOD is a young supremely talented trio of musicians made up of Matthew Tavares on keys, Chester Hansen on bass, and Alex Sowinski on drums. Since their inception at Humber College’s Music Performance program in 2011, the three have challenged the rule book on improvised instrumental music and taken jazz tradition into the future. With early champions including acclaimed BBC broadcaster Gilles Peterson and Tyler The Creator who helped fuel their discovery with a series of live jams that instantly went viral and dubbed them the “Odd Trio”, the band released their first EP BBNG in June 2011 to wide praise. The marriage of jazz virtuosity and hip hop source material offered a fresh take on the traditional “standard” applied to hip hop classics by taking on choice cuts from the golden era rap cannon and writing inspired arrangements for them instead of one-dimensional covers. The band hit a landmark by introducing original material into their composi- tions with BBNG2 in 2012. New songs like “Rotten Decay”, “Vices” or “UWM” carried on the proud heritage of musical juxtaposition by bringing together jazz, hip hop, punk, and dance music into vigorous balance. Since then, they’ve won praise from the four corners of the globe and collaborated with Frank Ocean, Earl Sweatshirt, MF Doom, Pharaoh Monch and RZA among many. Their no- torious live performances have brought fans across the whole musical spectrum together, taking the band around the world from Coachella to Glastonbury. Now, the inseparable friends are prepping to release their biggest project to date III on prodigious young label Innovative Leisure, a highly-anticipated project ushering in the group’s newest explorations which are proving to be limitless.

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IL 2019V

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30.00
Tracklist: 

Side 1
1. Triangle
2. Can't Leave The Night
Side 2
1. Confessions (feat Leland Whitty)
2. Kaleidoscope
Side 3
1. Eyes Closed
2. Hedron
3. Differently, Still
Side 4
1. Since You Asked Kindly
2. CS60

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The Right Side Of Kind

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Recorded in Germany and the Uk between 2010 and 2012.

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GMNLP 002

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Tracklist: 

Side 1
1. Wham
2. The New Beginning
3. The State
Side 2
1. The Joker
2. Mindout
3. The Reflector
Side 3
1. Being Burned
2. Night Porter
3. Enough
Side 4
1. Back To The Hill
2. Praying Mantis

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Elaenia

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London centric debut album from Floating Points with a host of guest musicians and vocalists. the label say " Sam Shepherd spent five years putting together Elaenia, juggling the production with his DJ commitments and his now-completed PhD in neuroscience.The album takes its inspiration from classical, jazz, electronic music, soul and Brazilian music, much of which can be heard in Shepherd's DJ sets. There's a long list of contributors, with Tom Skinner and Leo Taylor (drums), Rahel Debebe-Dessalegne and Layla Rutherford (vocals), Susumu Mukai (bass), Alex Reeve (guitar), Qian Wu and Edward Benton (violins), Matthew Kettle (viola) and Joe Zeitlin (cello) all featuring. Shepherd also provides some of the vocals.Shepherd's influence on the album extends to the cover art: he built his own harmonograph to create Elaenia's sleeve, using fibre optic cables that were connected to light sources and responded to bass drum hits and other sounds.Aside from a couple of early excursions on R2 Records and Planet Mu, Shepherd's solo material has come out through Eglo Records, the label he co-runs with Alex Nut. Records like Vacuum, Shepherd's breakthrough release in 2009, and 2011's Shadows, which scored a five-star review on RA, have cemented his reputation as a classy, inventive producer. On top of that he's also released music from his Floating Points Ensemble project, and produced some of Fatima's 2014 album, Yellow Memories. "

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FPLP 01

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28.00
Tracklist: 

Side 1
1. Nespole
2. Silhouettes (I, II &III)
3. Elaenia
Side 2
1. Argente
2. Thin Air
3. For Marmish
4. Peroration Six

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Cliquish

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The label says; When Miles Davis meets the Beastie Boys that gives this kind of quality product to consume without moderation. 12 tracks of pure madness venturing us into the regions of Jazz / Soul to the percussive Rock riffs! Leron is at ease in each of these styles and proves it with this album. We strongly advise you!

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HS 133VL

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23.00
Tracklist: 

Side 1
1. Extrospection
2. Cliquish
3. Role Play
Side 2
1. Snicka Bar
2. Victorian Walls
3. Asako
Side 3
1. Park
2. Mandy Jo
3. Calm Down
Side 4
1. Stride
2. Don't You Know
3. Introspection

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